About Lori Berhon

Lori Berhon is a New-York based novelist and playwright. Her work is distinguished for its intelligence and for the vivid humanity of even her most impossible characters. She is actually taller, slimmer and far more elegant than she appears to be.

Early New Year’s Resolution

How’s this for a lack of procrastination? I’m posting my New Year’s Resolution in early December.

As Resolutions go, it’s not much.  All my life, I’ve set goals and standards for myself; and I continue to work hard to try to meet these benchmarks. So why feel guilty when I’ve fallen short? While I’m obviously still too immature to be content in accepting that it’s the process that matters, I should have at least grown enough to acknowledge that lack of attainment is no reason for self-castigation.

So, to kick off 2014, I’ve decided to take that first step and eliminate gratuitous self-reproach from my life. Starting with a statement about blogging.

If you’re reading this, then you’ve already noticed that I don’t blog regularly. And that I periodically apologize for this. Why? Fact is, this state of being isn’t likely to change. I’m not a speedy writer. Any blog that I do write requires a decent chunk of time to draft, as well as surprising large time-&-effort to shift my focus away from whatever WIP otherwise currently holds my attention.  Moreover, there a zillion blogs out there already, and no one’s life is depending on the contents of mine. Why beat myself up over not sustaining a spurious schedule?

It’s just too tough to blog for the sake of blogging. I only want to post occasionally, when I have something I honestly feel compelled to share.  And you know what? That’s okay. If you’re one of my readers, I’d hope you’d rather have me finishing stories. Well, whether or not you would, I would; and I’ve decided that’s okay, too. We’re only immortal through the memories we leave behind. As a writer, what I want to leave behind, for better or worse, are my stories.

So I don’t know when I’ll be posting to this page again. It might be weeks, it may be months.  Whenever it is, there won’t be any apologies or explanations attached.

Until then, I wish all of you a very happy new year. And may all your resolutions be as liberating as mine!

What is it about playlists?

Today I put together a playlist for the current WIP.

Understand that the only time I listen to the radio are those few morning seconds before I turn off the alarm. I do own a goodly amount of music, but I can go weeks without hitting ‘play.’ Even at the gym, I’m more likely to watch (sort of) the TV. When I take a long walk, I do find songs popping into my head; but there’s generally a connection between the lyrics and some phrase cropping up in my interior monologue, so that’s more like word association than musical craving.

So no, I’m not someone who lives with a constant soundtrack. And yet, whenever I work on a story that has a contemporary setting, I find myself compelled to craft—and I do mean craft—a complementary playlist.

“What kind of playlist?”, you might ask. Is it about the characters, favorite music that might give them more dimension in my mind? Or are these maybe songs associated with the time and place of the story, the music that might be playing in the background while the characters live out their lives? To a small extent, both of these. But mostly the collection is a kind of emotional synopsis of the undercurrents in the story. Just being able to put together a list means that, albeit subconsciously, the shreds and patches I’ve been toying with have settled into the shape of a story. It’s an actual milestone in the writing process! And once it’s done, I know that regardless of the bit I’m working on—or trying to—at any given moment, that playlist is there to call on whenever the overall shape and texture of the story need some help seeping into the cells and dendrites that push the writing out.

Not that it’s more than a tease at this point but, since you’re probably curious right now, here’s the playlist for the current WIP (and yes, sequence counts!):

  • Flaming Lips:  Fight Test
  • Feist:  1234
  • Adele: Chasing Pavements
  • Jay-Z: Empire State of Mind
  • White Stripes: We are Going to be Friends
  • The Ting Tings: Great DJ
  • Gogol Bordello: 60 Revolutions
  • Marina and the Diamonds: I am Not a Robot
  • Scissor Sisters: Night Work
  • Lady Gaga: Born This Way
  • Original Broadway Cast of “How to Succeed in Business…,” featuring Robert Morse: I Believe in You
  • Vampire Weekend: The Kids Don’t Stand a Chance
  • Coldplay: Viva la Vida
  • Amy Winehouse: Tears Dry on Their Own
  • Fatty Gets a Stylist:  Are You Ready?
  • Lily Allen: F**k You
  • Florence and the Machine: The Dog Days Are Over
  • Regina Spektor: Us

Holding the dream in your hand.

There hasn’t been any Extreme Marketing for a few weeks, because I’ve been up to my eyeballs in wrapping up another writing project.

Back in November 2010, when I decided to take the plunge and try National Novel Writing Month for the first time, it "The Upsilon Knot" book coverseemed more than a little crazy to try and write 50 thousand words in a single month. I knew I’d only be able to write that much if I found a whole new way of working. Instinct told me this would be easier if the story were completely different from any of my other work. I especially wanted to have some fun! After all, except for the hours spent in my office, I would be writing almost every waking minute of every day. If it wasn’t fun, I’d never make it through the month.

I started noodling around, mind-mapping random thoughts. My first scathingly brilliant idea was to think about Steampunk. I’ve always loved building worlds and, having spent a lot of time (before, during and after college) in “our” 19th century, an alternative one seemed like something I could whole-heartedly embrace. My next inspiration was my heroine. A few years before this, I’d had a flash of “Claude” in a castle corridor. I’d immediately known quite a bit about her (including her name, by the way). Claude came together perfectly with the world I was developing. That was enough to get started.

At the end of November 2010, I had about a third of the story and a whole lot of notes. And then I had to set it aside. Over the next 18 months, I lost the agent who’d signed up The Breast of Everything, started a new job, and embarked on a self-publishing adventure. When I could find a few hours, I’d look back at The Upsilon Knot and review what I’d blurted out during that initial month. At that remove, I was able to make notes about missing links in the plot, glitches in the timeline, etc.  Along the way, I stuffed my Scrivener project file with draft pages, character sheets, mind maps, action maps, timelines, flow charts and a sometimes strange collection of research. Last summer, I was finally able to return to writing and push forward.

I’ve been living in—or at least with—this world for almost three years. I don’t know that the execution ended up Steampunk so much as Historical Fantasy. No matter. The world and its people have been clear as day to my mind’s eye. This is the week everything changes, because now I know that, very soon, you are going to be able to see this too. The printed proofs arrived and, for the first time, I hold The Upsilon Knot in my hand.

At 500 pages, I expect that the ebook edition will be more popular with readers. For me-the-writer, however, there is nothing to compare with the solid reality of that bound volume. Holding it (okay, hefting it; it really is a chunky little book!), I feel a sense of completion wash over me. My mouth smiles before my thoughts catch up to it. I walk in a fleeting state of grace. And while this feeling lasts, there is nothing so great as being a writer.