An Agile Mind

Like most writers of fiction, I spend most of my waking hours in a job where I’m doing something else. In my case, I write user assistance materials for software (yeah, that’s right; I write “Help.”) And since you ask, no; I don’t have a technology background. This is a career I wandered into, under the heading “Life is what happens to you while you’re busy making other plans.” (thank you, John Lennon)  I’ve learned by doing; and by listening, watching, reading and asking questions.

There are always new challenges to keep me on my toes. But imagine my surprise when the latest challenge turned out to be an old friend.

The shop I work in is in the process of adopting the popular “Agile” approach to software development. Right now we have a kind of coach in house, to shepherd us through the transition to this new work culture. Since Agile is all about cross-functional collaboration, even I’m included in the training exercises. I’ve been training with the Product Managers, which is great for me because I rely on their documents to do my job.

Last week, our coach introduced us to the “User Story,” a method for looking at the various elements that might be needed in a new piece of software. The User Story is a simple statement of a task that a particular user might want to accomplish. In fact, we were told to make it so simple that we could write it, using a felt-tip marker, on one side of an index card. The other side of the card is for specific features that make it possible to perform the task. The Story stays simple, because it will ultimately be grouped with other Stories to become the “Theme”of the software product.

Experienced project managers and business analysts are more used to looking at either the very big picture or the very very small.  Given the practice example of a piece of banking software, my coworkers came up with broad statements like “as a bank customer, I want an online portal so that I can do my banking any time, anywhere” and followed up with long lists (taped to the card) of all the specific buttons and tables that would have to be included for every possible banking experience.

What I wrote was: “I want to move a specific amount of money from savings to checking every month,” and the back of my card had only the details that supported that one activity.  The coach was astounded.  How had I, the one with no training in gathering software requirements, written such a good User Story the first time out?

Simple. What he calls a User Story, I call a scene. Think of a film. Each individual scene in a film has a specific goal for at least one of the characters. Actually, the same thing applies to narrative fiction as well. Some writers start at the beginning and work straight through to “The End”, but others (and I think we’re in the majority) set down our scenes. And if you’re powering through the idea for a new story, you may very well be jotting down notes for your individual scenes on index cards (or virtual cards).

It turns out software development is learning what artists already know. You work on the small pieces, and the big picture takes shape when you string them together.  It’s an approach that works in a lot of areas of life. No one ever listens to artists, but now that technology has taken the idea and blogged it and certified it and meta-tagged it, maybe it’ll spread. So don’t be surprised in the next few years if you start to hear about Agile Government or the Agile Diet.  When you do, remember: it’s just another common sense approach to breaking down a problem; and the writers were there first!

Baby Steps

Having finally made the decision to publish my own books, I found myself being overwhelmed by the options to the point where I wondered if this was such a good idea after all.  I can’t work and write and be a publisher; my days only have 24 hours and I have to sleep through some of them.

It could take most of a calendar year to figure out “the best” way to do this and learn enough new skills to do it well.   That would be another year that The Breast of Everything wouldn’t see print (yes “print”; I’m determined to have a print on demand paper version as well as epub and mobi digital books).  At the end of that time, would all that work have mattered?  Not really.  I don’t expect this particular book to sell more than a couple of dozen copies; in this case, the old “vanity press” label is pretty accurate.  So I took a deep breath and made another decision.    I was going to get The Breast of Everything out the easiest way I could and I was going to do it NOW.  I chose a full-service publishing/distribution provider and created an account on Bowker to purchase the ISBN.  Most important, I did a single small thing that made this book seem real: I used my chosen provider’s online (free) app to make a mock-up of the cover.  Now that I know what it’s going to look like, surely it’s going to happen.  Right?  Not so fast!  You see, I’d decided to go with Createspace, but with all the buzz about retailers refusing to stock books published by Amazon, I’ve had to rethink this.

I’m back to, well, let’s call it square two.  Looking for another printer/distributor who delivers services for those who are time- and publishing-challenged.  I’ve been networking to collect recommendations (so much thanks to all the generous people of the VC Linked In group), but it still is likely to take another couple of months  (argh!) to find an easy, good quality solution that I can sell anywhere.

Meanwhile, I’ve been focusing on this website.  I am proud — a little dazzled, too — to announce that this post marks the official completion of a two-stage website migration away from iWeb (which is being sunset by Apple) and into my new domain and WordPress.  I’ve taught myself just enough WordPress to be dangerous, so if there are glitches on the site, oops!

At the halfway point…and loving it!

I know, it’s not November 15 yet.  But last night I reached the magic 25K half-way point to the NaNo finish line.  So I’m halfway there before I’m halfway through.  This is a very good feeling, even though finishing NaNoWriMo won’t in the least mean I’ve finished this book.

The beauty of the NaNo experience for me is that I stop worrying over every bitty word and just write.  And when you just write — anytime, anywhere (yes, the morning subway ride is still my very best production burst of the day) — you can make huge gains toward telling any story you really want to tell.

Last year, I started out with all sorts of outlines and timelines and flow charts.  This year, all I had was an odd “to do” list of things I wanted to be sure to say.  Every day that I’m not picking up where I left off the day before, I choose something from that list that hasn’t been checked off, and then I write everything I can think of on that topic.  I have no idea how long this book is going to be.  I’m only now now first starting to see a shape emerge.  It was one hell of a relief, let me tell you, to finally get a sense of that after almost two weeks of writing.  Turns out (whew!) I wasn’t downloading random thoughts after all, but there is truly a big picture to which all the scraps belonged.  This is a good baton to pick up at the halfway point.  Now all I have to do is run with it to the finish line!